C17 House / XXStudio

first_img “COPY” Manufacturers Brands with products used in this architecture project ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/795916/c17-house-balmor-pereira-xxstudio Clipboard Manufacturers: Cemex, Aaindumetalicas, PreconcretosCollaborators:Lina Quintero, Milena DuarteStructural Calculation:Luis Carlos Rivera CáceresBuilder:XXStudio + 21estudioSanitation Installation:HMS ConstructoresElectric Installation:HIBRICAArchitect In Charge:Balmor PereiraAssociated Architects:Fabián Mena, Pablo TorresCity:Villa Del RosarioCountry:ColombiaMore SpecsLess SpecsSave this picture!© 21estudio + XXStudioRecommended ProductsWoodGustafsWood Veneered Wall & Ceiling PanelsDoorsLinvisibileLinvisibile Curved Hinged Door | AlbaDoorsECLISSESliding Pocket Door – ECLISSE LucePorcelain StonewareCeramiche KeopeCeramic Tiles – BackText description provided by the architects. An order is received and according to the evaluation of the initiative it offers limited financial benefits, but simultaneously has excellent conditions to start a creative process, represented in a bet that assumes the premise: “the possibility of generating a project that is a CREATION and not a replica of something already imagined.” Save this picture!© 21estudio + XXStudioThe proposal comes as a result of the relationships and conflicts between three basic components: the natural, anthropic and metaphorical; each component is approached from a key variable for its morphological interpretation (formal – spatial): Save this picture!ModelIn this way the dialogic triad is obtained: LAND – PLANT – ROOF Addressing the analysis of joints and contradictions present and possibles between these three components, leads to find a complex interlocutor to establish simple relationships (above – below, outside – inside and solid – transparency, among others), from the previous  EXPLORATIONS made about THE GRID, allow assuming the project as a testing laboratory of concepts and relationships. Save this picture!© 21estudio + XXStudioTaking lessons: “Para no contradecir la realidad, el arquitecto debería atenerse a los hechos arquitectónicos que a partir de ella se puedan formular” (Pérez, Aravena y Quintanilla, 2007:15). Based on this reflection it asks for an assessment of reality in search of the purposes to which must answer the triad. FIRST: Addressing the pedestrian and vehicular accessibility in relation to the adjacent street to 45°. SECOND: To form a permeable frontal plane to the breezes coming down from the Venezuelan Andes to clean the warm meadows and the reed fields. THIRD: Floating  perpendicularly  the parking integrating to the house exoskeleton, as opposed to the prevailing separate proposal. FOURTH: Structuring the central yard of 6 * 6 meters, which serves as a flow collector in both directions. FIFTH: An opening of 12.00 meters that allows integrating kitchen – bar – dining room – living room in a unit space conditioned for the furniture. SIXTH: Solving generic variables as: Save this picture!© 21estudio + XXStudio [the tectonic] …inverted beams… Three grids that cross each other, the first one forming the LAND as a stepped floor, situating the house in downward cascade, allowing expand the section from the entrace to the interior; the next one forms the PLANT,  a sequence of horizontal planes sized in relation to the housing program, working to compression and supporting the ROOF falling from above in a grid of inverted beams. Save this picture!SectionSave this picture!ConceptSave this picture!Section[program] …domestic skeleton-… A set consisting of roof – study – patio – parking – hangs from above by subjecting the inverted beams working simultaneously as hanging beams, two groups of load-bearing planes that fit with the program by way of partition walls, the first one groups rooms and the study on the northeast side integrating the intimate area of the house, while on the southwest side, kitchen, laundry area and guest bedroom, make up the structural corbel  what affixed to the floor gives balance to the imposing cantilever. On the floor, under an opening of 12 meters in a continuous space, the furniture is placed demarcating living room – dining room – bar, while the accordion unfolds delimiting the outside terrace facing the pool. Save this picture!Floor Plan[materiality] …exposed concrete skeleton … A exposed concrete skeleton defines the materiality of the house, which is subtly added three materials: MURO-CEL in black concrete redefines its use forming the permeable vertical plane in  a openwork way. Urapo and pardillo wood treated with natural wax bee impose their presence marking the space whit its horizontal grains, and the glass communicates that supports and  not that is supported, desmaterialize with multiple reflections. Save this picture!© 21estudio + XXStudio[the bioclimatic] … permeable planes… The oblique beam receives breezes from the northeast and send them giving natural aceleration, toward the permeable frontal plane that as a filter allows its path and simultaneously controls solar radiation of the access corridor, while the horizontal planes float laterally supporting this strategy and minimize the east – west  sunlight. Save this picture!© 21estudio + XXStudioOn the southwest side as an accordion, urapo wood partitions allow the passage of the evening breezes and filter the afternoon sun giving a magical atmosphere of shadows and reflections. The system is complemented by a central yard formed by hanging beams that work as a flows collector and link the house with the outside. Save this picture!© 21estudio + XXStudio[the technique] …setting up the metals… … “As family members that project-planning-in-the-making” (Smithson & Smithson, 2001:30)  We have learned from the master to put together things that Mies had; simple self-imposed rules show a clear intention to achieve the maximum benefit of a standard  shuttering; to join two planes requires dilate, the inability to use paints  and this way the “gray work”… is “white work”.Project gallerySee allShow lessVideo: President Obama Inaugurates the Smithsonian National Museum of African Americ…Architecture NewsOrganic CityExhibition Share ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/795916/c17-house-balmor-pereira-xxstudio Clipboard C17 House / XXStudioSave this projectSaveC17 House / XXStudio Houses Save this picture!© 21estudio + XXStudio+ 24 Share “COPY” Area:  382 m² Year Completion year of this architecture project Year:  ArchDaily Architects: XXStudio Area Area of this architecture project C17 House / XXStudio CopyAbout this officeXXStudioOfficeFollowProductConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesVilla Del RosarioVilla del RosarioColombiaPublished on September 27, 2016Cite: “C17 House / XXStudio” 27 Sep 2016. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Browse the CatalogShowershansgroheShower MixersEducational3MProjection Screen Whiteboard FilmPartitionsSkyfoldWhere to Increase Flexibility in SchoolsLinoleum / Vinyl / Epoxy / UrethaneTerrazzo & MarbleTerrazzo in The Gateway ArchSkylightsLAMILUXGlass Skylight FE PassivhausConcreteKrytonSmart ConcreteMetallicsTrimoMetal Panels for Roofs – Trimoterm SNVWire MeshGKD Metal FabricsMetal Fabric in Kansas City University BuildingGlassDip-TechDigital Ceramic Curved Glass PrintingMetallicsRHEINZINKZinc Roof Systems – Double Lock Standing SeamChairs / StoolsFreifrauBarstool – OnaSealants / ProtectorsWoodenha IndustriesFireproofing System for Wood Cladding – BIME®More products »Save想阅读文章的中文版本吗?C17住宅 / XXStudio是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream Projects CopyHouses•Villa Del Rosario, Colombia 2016 Colombialast_img read more

Baines broken toe blow for Blues

first_imgEverton defender Leighton Baines sustained a broken toe in Saturday’s Merseyside derby and could be out for up to six weeks, the club have confirmed. Press Association Baines’ injury record is good and he is regarded as one of the fittest and strongest in the squad so Everton will hope he can heal quickly and be back sooner rather than later. “It has been confirmed that Leighton has got a fracture in one of the bones in his right foot, which is the phalange,” manager Roberto Martinez told evertonfc.com. “We need to treat that now and see how it develops. It could mean anything from missing six weeks to being back in 10 days because it depends how the fracture heals. “It is in such a specific spot and we are going to see how it reacts.” Gareth Barry filled in for Baines at left-back, a role he performed intermittently earlier in his career, but it is unlikely the 32-year-old will continue there in the interim such has been his impact in central midfield. “Obviously Gareth slotted in during the game and when you have got a player with that experience, he can play anywhere. I thought he did really well,” added Martinez. “We have got other players at the football club who can play in that position, from Bryan Oviedo to Tony Hibbert and Sylvain Distin to John Stones. We have got many options. “It’s going to be a matter of seeing how the players react in training and, first of all, seeing if Leighton is going to be okay.” center_img The England international was forced off early in the second half and although he left Goodison Park walking unaided – despite being given some crutches to use – he went straight for an x-ray on his right foot. After assessment the Toffees’ medical team cannot put a definitive timescale for the left-back’s recovery, with it estimated to be between 10 days and six weeks. last_img read more